Tag: OCEAN

Bless the Space

Bless the Space

_TSL4000A new book has just begun the process of being birthed. For a few weeks I’ve been organizing my mind and now the task of actually organizing the writing has begun. And of course my mind is searching for distractions.

Part of the creative process involves searching through journals and other writing I’ve done in the past so naturally there are many wonderful storylines to chase. I wasn’t looking for them and they aren’t related to the book I’m writing….but gee, it was fun to chase those rabbits.

SimoneLipscomb (5)Until I realized I was distracted. (Sigh).

One of the threads I chased, however, was actually one I was searching for and who can help getting a bit carried away with John O’Donohue?

_TSL0818I was looking for a journal entry on a manatee trip but couldn’t remember the date. Never found the journal but did find the blog post. So then I wanted to find the passage I was listening to on the trip that I was writing about and found the audio file, listened and then found myself following little threads of John’s teachings. Teachings that have blessed and assisted so many of us.

Here’s a few of the threads:

From an interview with Diane Covington in 2006: “Everyone of us dreams and a dream is a most sophisticated artistic document. When you were a child you lived in an imagined world and the child-like side of the self never dies. There is a relentless pulse of creativity within us.”

From Bless the Space Between Us: “To Come Home to Yourself–May all that is unforgiven in you be released. May your fears yield their deepest tranquilities. May all that is unlived in you blossom into a future graced with love.”

SimoneLipscomb (12)John said that fear blinds us and we see only one door, one possibility, when there might be seven or eight doors. Every person is the holder of incredible possibilities. Deep down, he said, we know exactly what is going on and we have to give that truth a chance. If we can drop into stillness, silence and solitude everything that needs to happen will happen. The key is recognizing the seeds planted by others, that we have watered and tended with attention, that overshadow the truth.

SimoneLipscomb (4)He tells of sitting at people’s bedsides while they are dying and finding that regret is one of the loneliest places humans can ever find themselves. What is it that your heart truly wants to do but you are too afraid to do, he asks? What seeds have others planted that have made you doubt your own heart’s voice? How does fear keep you from living your life the way you want to?

_TSL2046“Each day is the field of brightness where the invitation of our life unfolds. The writer goes to his desk each morning to meet the empty white page. As he settles himself, he is preparing for visitation and voyage. His memory, longing, and craft set the frame for what might emerge. He has no idea what will come. Yet despite his limitations, his creative work will find its own direction to form. Each of us is an artist of our days; the greater our integrity and awareness, the more original and creative our time will become.”

_TSL2013So I chased a few rabbits, followed a few threads, and wrote a few paragraphs. All of which is sacred space, creative space. And now this space between us, may it be blessed. Thank you John O’Donohue for the teachings you shared with us.

 

Whale Sharks

Whale Sharks

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One of the most beautiful creatures on the planet, in my opinion, is the whale shark. The patterns of each varies and are infinitely interesting.

Last year I had the opportunity to photograph them on two trips to the Sea of Cortez. The second trip, to the La Paz area, offered more experiences, better water clarity and more animals. But it’s not easy work photographing them.

Snorkeling, not scuba, encounters are allowed to protect the animals. The no flash photography rule is great because pushing a big underwater camera housing is tough enough without strobes. The added drag of two large strobes would make it more challenging when swimming fast.

These big guys and gals don’t appear to move fast but when y0u drop into the water ahead of them you have to swim hard to catch up and stay with them. Those massive tail fins propel them swiftly through the water. It’s hard swimming in long bursts.

_TSL7226Connecting with whale sharks was interesting as well. Their small eyes on the sides of their large heads don’t really make eye contact or connection like whales, manatees and dolphins, who seem to want to connect and make deep eye contact. It was like swimming beside a very aloof person who ignores you and goes about their business. Only once did a whale shark react to me and it’s when I was quite close and moved my arm suddenly. The animal flinched but kept on with his or her travel.

Photographing these spotted wonders was great fun and yielded some nice images but the soul connection I have with whales, dolphins and manatees was simply not there. It doesn’t make them any less amazing, beautiful and wondrous to behold…and treasure.

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Juvenile whale shark with a photographer
The Bottom Line is Love

The Bottom Line is Love

 

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Eva Saulitis
Eva Saulitis

Into Great Silence: A Memoir of Discovery and Loss Among Vanishing Orcas, was written by Eva Saulitis. It’s a very personal story of over twenty-five years of connection with transient orcas in Alaska. In this touching account Eva shares the life and death of a pod of orcas that lived near the Exxon Valdez spill area. While it is beautifully written, it’s also incredibly sad for not only does she tell the story of their death, she tells the story of her untimely death due to cancer.

And it makes me wonder…..what about the Gulf Coast? What will happen to those of us who worked to clean up the spill or document its affects? 

The BP Deepwater Horizon spill was far worse in volume that Valdez. The coverage area, humans exposed, wildlife exposed….what will be the long-term story that unfolds along the Gulf Coast?

 

Internet image of orcas
Internet image of orcas

While reading Into Great Silence, there were many times I paused to contemplate the profound love Eva had for the whales and their waters…the forests surrounding them…the bears….salmon….seals….dolphins. Here’s a excerpt from page 92:

9 July 1989–Yesterday, Mary and I hiked on Crafton Island, not realizing it had been heavily oiled. We found an oil-coated river otter skull. Even the grass above tide line was black. I told Mary about the first time I’d come there. One spring day in 1987, a fisherman friend had invited me for a skiff ride. It was an old, wooden skiff, and he’d perched atop the outboard’s cowling so the engine wouldn’t fall off. Here, I told Mary, was where we’d searched for glass balls among bleached driftwood. Here’s where we’d found wild irises. here’s where we’d sat on the wreck of an old boat and talked all afternoon. I’d never met anyone so earthy, so entirely of a place, embodying an all-out, organic love for the Sound. I’d only begun to recognize that in myself. “Why aren’t you married to him?” Mary asked. I told her I was married to the place.

SimoneLipscomb (4)I remember walking on a beach at the Alabama coast that was heavily oiled– my eyes and throat burning from the smell of crude oil and dispersant– asking myself why I was there. For a week of each month for a year I left my home in Asheville and my husband to travel to my place of birth to document through photography and writing the effects of the disaster. Why am I doing this? I asked.

SimoneLipscomb (3)It was grueling, depressing, hot, horrible work. I had the freedom to leave whenever I wanted to escape the black death that coated the beaches and the stench of hot fumes filling the air. Every time I began to drive into the mountains of North Georgia, on my way back to North Carolina, I remember feeling relief, feeling I could breathe again. It felt as if a weight lifted off of my chest as I made my way home. To safety. To clean air.

Adjusting to being away from the disaster was difficult though. I was so depressed it was almost impossible for me to invite laughter or pleasure into my life. I felt guilty for enjoying myself given the dire circumstances at the coast. It felt as if the world was ending and life as I had known it was gone due to a needless, careless catastrophe.

SimoneLipscomb (6)So back to the question: Why am I doing this? 

The only answer that ever came was….someone needed to witness the disaster with an open heart and mind. Not as scientist or politician or oil company representative….just a witness that loved the place.

So I visited seven beaches for a year and walked them, photographed, took video footage of them and wrote about them. My tears mixed with the oily waters of the Gulf of Mexico and I stood as witness to the pain and suffering of life there.

SimoneLipscomb (23)This kind of experience changes a person. Something happens within the mind and heart that shifts the perspective so completely that life can never return to how it was before. A person cannot return to ‘not knowing’ what they know. They can’t un-see or un-feel the multitude of visual images and emotions that were experienced on those wounded shores.

My heart broke for the ghost crabs and blue crabs, the flounders, shrimp, fish, dolphins, string rays, sea gulls, terns, osprey, pelicans….for the humans that would eventually become sick from exposure to such high-levels of toxicity. Nothing is the same after witnessing this.

_TSL1859 1.08.19 PM-2I was certain that humans would awaken and create immediate and lasting change after the spill, but it didn’t happen. This was incredibly disappointing to me.

After documenting the spill and its aftereffects I noticed people responded strongly to images of beauty and stories of nature depicting the profound relationship experienced with wild places and wild life. It felt like a natural evolution of my work and efforts to shift from death and destruction to beauty, specifically the beauty of the Ocean.

I haven’t forgotten what awakened my own sense of urgency to protect our planet, our Ocean. And the deep sense of place it instilled.

Eva reminded me of the love we develop for places that touch our lives. We become a part of these places and the more we invest our time, energy and work into them, the deeper the connection we have with them. Their wounding becomes our wounding. Their health, our health. Their death, our death…metaphorically and literally.

Why do we risk our own safety to help? The bottom line is love.

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Photograph by Brent Durand of me diving in the Sea of Cortez.

 

Sweet is the Light

Sweet is the Light

_TSL3846On this Mother’s Day I am especially grateful to loggerhead sea turtle mothers who give me incentive to awaken before dawn, drive to the beach and walk along the Gulf just before, during and after sunrise. It gives me opportunities to photograph pure, rich color.

_TSL3886There are a very few moments in which to capture the richest, most precious light. Between the pre-dawn gray and post-dawn white there is a sweetness where color bursts forth from the water, earth and sky and everything the sacred sunrise kisses. The muted, soft pastels are transformed momentarily into rich colors of incredible depth. Then the harshness of daylight washes them into a faded expression of what they once were reminding me of the impermanence of life.

_TSL3929Ambitious architects from the day before provided a perfect surface for the perfect light to illuminate and I arrived at their castle at the perfect moment, when the light was at its richest. Some times things work out exactly as you would hope.

_TSL3925There were no sea turtle tracks on the section of beach I patrol but that’s only part of the reason I volunteer. I go for the sunrise because sweet is the light.

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